Their names are their weapons, their tools, their ever-shifting masks within this labyrinth they have chosen to navigate together. Sini—he who names with precision, yet leaves the meaning just out of reach, a riddle enclosed in a cipher. And Sinclair—she who resists every title imposed upon her, each word a test of her will to define herself against him. In this game of shifting names, they do not merely call each other by familiar terms but instead craft titles that both trap and set free.
"You are not Sinclair," Sini says one moment, his green eyes gleaming in the dim light of the labyrinth. "You are the wind that erodes the mountain, silent but relentless. You change the world, but never once look back to see what you have wrought."
But Sinclair does not accept the name as truth—no, she cannot. To take the name he gives would be to yield, to play the part he writes for her. She smiles, a touch of rebellion in her eyes. "Then I shall call you the mirror that never reflects its own image—always watching, but never truly seen."
Their words hang in the air between them, like smoke that coils and twists, never settling. They circle each other, both physically and verbally, always renaming the world around them. The stones of the labyrinth, the light flickering from unseen sources, even the shadows that play on the walls—nothing remains the same. "This is the Gate of Forgetting," Sini says, running his hand along the smooth stone wall. "You pass through it and you leave behind what no longer serves you."
"Or perhaps," Sinclair counters, "it is the Door of Becoming, where what you leave behind is but the seed for what you will grow into."
Neither is right, neither is wrong. This is how they negotiate their power, how they clash without truly fighting, how they grow close and then pull away—each moment defined not by a single truth, but by the possibilities each name opens and closes. Naming is power here, but it is a fragile power, one that shifts as easily as the sand beneath their feet.
Sini’s words are often cloaked in riddles, words that catch on the edges of Sinclair’s mind like hooks, pulling her thoughts in directions she cannot quite anticipate. "If I name you the Sun, will you shine only for me?" he asks one day, his tone soft but with an edge that she cannot ignore.
Sinclair laughs, though her heart races at the challenge hidden in his words. "I would be a fool to shine for anyone but myself," she responds, her voice cool, though her gaze holds his.
They understand that this game of names is not just a play of words. It is an attempt to shape each other’s reality, to draw lines and erase them, to see who will bend first. Every name is a step forward, or perhaps, a step backward, depending on how it is received. But there is beauty in this game as well—each name a brushstroke, painting their ever-evolving relationship within the labyrinth. There is no final form, only the constant negotiation of who they are and who they will become.
"This is the Valley of Echoes," Sini says, gesturing to the stretch of the labyrinth that lies ahead, "where every name you give me will return to you tenfold. Choose wisely."
Sinclair steps forward, unafraid. "Then I name you the Keeper of Secrets, Sini—because you have not yet spoken the one that matters most."
The words fall between them, and for a moment, the labyrinth itself seems to pause, as though awaiting Sini’s next move. But he only smiles, enigmatic as ever, and replies, "Secrets are like names—they are never what they seem."
And so the game continues, each name a step deeper into the maze, each word an enchantment that binds them closer, yet also keeps them apart. They will name each other a thousand times before this journey is over, and perhaps, at the heart of the labyrinth, they will finally speak the names that reveal their truest selves. Or perhaps not. Some names are never meant to be spoken, only to be felt, lingering in the air like a forgotten melody